Michel Blazy: Bouquet Final  This astonishing work was recently installed in a meticulously well-preserved medieval monastery in Paris. In it, French conceptual artist Michel Blazy plays with foam, an ephemeral substance that directly contrasts to this site of architectural splendor.  Emerging from a tall, metal structure, the sensational, frothy material spurts forth, stirring fascination on the part of the viewer. We are confronted with this free-flowing, changeable matter that moves as a sheet, curling onto itself as the sheets grow longer. The foam is produced by a generator that creates a muffled noise from behind the installation.  The physical qualities of this installation point to an instance in which art cannot be preserved. Foam is a varied experience in Blazy’s oeuvre, oozing from such structures as garbage bins and planters. Likewise, art is an experience generated to exhibit various ideas, messages, and states of wonder.  For more examples of Blazy’s work, click here.   - Victoria Nolte
Michel Blazy: Bouquet Final  This astonishing work was recently installed in a meticulously well-preserved medieval monastery in Paris. In it, French conceptual artist Michel Blazy plays with foam, an ephemeral substance that directly contrasts to this site of architectural splendor.  Emerging from a tall, metal structure, the sensational, frothy material spurts forth, stirring fascination on the part of the viewer. We are confronted with this free-flowing, changeable matter that moves as a sheet, curling onto itself as the sheets grow longer. The foam is produced by a generator that creates a muffled noise from behind the installation.  The physical qualities of this installation point to an instance in which art cannot be preserved. Foam is a varied experience in Blazy’s oeuvre, oozing from such structures as garbage bins and planters. Likewise, art is an experience generated to exhibit various ideas, messages, and states of wonder.  For more examples of Blazy’s work, click here.   - Victoria Nolte
Michel Blazy: Bouquet Final  This astonishing work was recently installed in a meticulously well-preserved medieval monastery in Paris. In it, French conceptual artist Michel Blazy plays with foam, an ephemeral substance that directly contrasts to this site of architectural splendor.  Emerging from a tall, metal structure, the sensational, frothy material spurts forth, stirring fascination on the part of the viewer. We are confronted with this free-flowing, changeable matter that moves as a sheet, curling onto itself as the sheets grow longer. The foam is produced by a generator that creates a muffled noise from behind the installation.  The physical qualities of this installation point to an instance in which art cannot be preserved. Foam is a varied experience in Blazy’s oeuvre, oozing from such structures as garbage bins and planters. Likewise, art is an experience generated to exhibit various ideas, messages, and states of wonder.  For more examples of Blazy’s work, click here.   - Victoria Nolte
Michel Blazy: Bouquet Final  This astonishing work was recently installed in a meticulously well-preserved medieval monastery in Paris. In it, French conceptual artist Michel Blazy plays with foam, an ephemeral substance that directly contrasts to this site of architectural splendor.  Emerging from a tall, metal structure, the sensational, frothy material spurts forth, stirring fascination on the part of the viewer. We are confronted with this free-flowing, changeable matter that moves as a sheet, curling onto itself as the sheets grow longer. The foam is produced by a generator that creates a muffled noise from behind the installation.  The physical qualities of this installation point to an instance in which art cannot be preserved. Foam is a varied experience in Blazy’s oeuvre, oozing from such structures as garbage bins and planters. Likewise, art is an experience generated to exhibit various ideas, messages, and states of wonder.  For more examples of Blazy’s work, click here.   - Victoria Nolte
Michel Blazy: Bouquet Final  This astonishing work was recently installed in a meticulously well-preserved medieval monastery in Paris. In it, French conceptual artist Michel Blazy plays with foam, an ephemeral substance that directly contrasts to this site of architectural splendor.  Emerging from a tall, metal structure, the sensational, frothy material spurts forth, stirring fascination on the part of the viewer. We are confronted with this free-flowing, changeable matter that moves as a sheet, curling onto itself as the sheets grow longer. The foam is produced by a generator that creates a muffled noise from behind the installation.  The physical qualities of this installation point to an instance in which art cannot be preserved. Foam is a varied experience in Blazy’s oeuvre, oozing from such structures as garbage bins and planters. Likewise, art is an experience generated to exhibit various ideas, messages, and states of wonder.  For more examples of Blazy’s work, click here.   - Victoria Nolte

Michel Blazy: Bouquet Final 

This astonishing work was recently installed in a meticulously well-preserved medieval monastery in Paris. In it, French conceptual artist Michel Blazy plays with foam, an ephemeral substance that directly contrasts to this site of architectural splendor. 

Emerging from a tall, metal structure, the sensational, frothy material spurts forth, stirring fascination on the part of the viewer. We are confronted with this free-flowing, changeable matter that moves as a sheet, curling onto itself as the sheets grow longer. The foam is produced by a generator that creates a muffled noise from behind the installation. 

The physical qualities of this installation point to an instance in which art cannot be preserved. Foam is a varied experience in Blazy’s oeuvre, oozing from such structures as garbage bins and planters. Likewise, art is an experience generated to exhibit various ideas, messages, and states of wonder. 

For more examples of Blazy’s work, click here.  

- Victoria Nolte

(Source: artandsciencejournal.com)

Michel Blazy: Bouquet Final 

This astonishing work was recently installed in a meticulously well-preserved medieval monastery in Paris. In it, French conceptual artist Michel Blazy plays with foam, an ephemeral substance that directly contrasts to this site of architectural splendor. 

Emerging from a tall, metal structure, the sensational, frothy material spurts forth, stirring fascination on the part of the viewer. We are confronted with this free-flowing, changeable matter that moves as a sheet, curling onto itself as the sheets grow longer. The foam is produced by a generator that creates a muffled noise from behind the installation. 

The physical qualities of this installation point to an instance in which art cannot be preserved. Foam is a varied experience in Blazy’s oeuvre, oozing from such structures as garbage bins and planters. Likewise, art is an experience generated to exhibit various ideas, messages, and states of wonder. 

For more examples of Blazy’s work, click here.  

- Victoria Nolte

(Source: artandsciencejournal.com)





  Posted on August 15, 2012

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