The Future of Nature in Art
The forms of nature are, in their own ways, works of art. For centuries, artists have mimicked natural phenomenon, such as the roughness of tree bark, and the vibrant colours of fruit, in oil paintings and even sculpture. Now, most artists are using new tools to attempt to control these forms, and in doing so, re-create the natural form. Artist Ken To, for example, uses metal wiring to create detailed and realistically sized bonsai trees. The easing twists of the metal perfectly mimic the tree bark, that ever so slightly curves up and outwards, creating branches. 
Even more extreme, artist Natalie Jeremijenko uses L-systems, which are algorithms created in order to mimic the cell growth of a tree. With the L-system technology, you could have your very own forest growing on your computers’ desktop! She has even created a whole art project called ONETREES, and she calls her virtual trees ‘e-trees’, or ‘electronic trees’. Not only that, the e-trees themselves can be manipulated to grow at certain rates when a CO2 reader is plugged into the USB ports of the computer. The virtual trees mimic the cell growth of natural trees, and they also react in a similar way that trees do when they come into contact with atmospheric changes. It is a revolutionary twist of artistic mimesis.
So whether you prefer a forest of trees on your desktop, or a little bonsai tree on top of your desk, there are many different mediums that you can explore in order to experience this new movement of nature mimesis in the 21st Century.-Anna Paluch

The Future of Nature in Art

The forms of nature are, in their own ways, works of art. For centuries, artists have mimicked natural phenomenon, such as the roughness of tree bark, and the vibrant colours of fruit, in oil paintings and even sculpture. Now, most artists are using new tools to attempt to control these forms, and in doing so, re-create the natural form. Artist Ken To, for example, uses metal wiring to create detailed and realistically sized bonsai trees. The easing twists of the metal perfectly mimic the tree bark, that ever so slightly curves up and outwards, creating branches.

Even more extreme, artist Natalie Jeremijenko uses L-systems, which are algorithms created in order to mimic the cell growth of a tree. With the L-system technology, you could have your very own forest growing on your computers’ desktop! She has even created a whole art project called ONETREES, and she calls her virtual trees ‘e-trees’, or ‘electronic trees’. Not only that, the e-trees themselves can be manipulated to grow at certain rates when a CO2 reader is plugged into the USB ports of the computer. The virtual trees mimic the cell growth of natural trees, and they also react in a similar way that trees do when they come into contact with atmospheric changes. It is a revolutionary twist of artistic mimesis.

So whether you prefer a forest of trees on your desktop, or a little bonsai tree on top of your desk, there are many different mediums that you can explore in order to experience this new movement of nature mimesis in the 21st Century.

-Anna Paluch

(Source: artandsciencejournal.com)

The Future of Nature in Art

The forms of nature are, in their own ways, works of art. For centuries, artists have mimicked natural phenomenon, such as the roughness of tree bark, and the vibrant colours of fruit, in oil paintings and even sculpture. Now, most artists are using new tools to attempt to control these forms, and in doing so, re-create the natural form. Artist Ken To, for example, uses metal wiring to create detailed and realistically sized bonsai trees. The easing twists of the metal perfectly mimic the tree bark, that ever so slightly curves up and outwards, creating branches.

Even more extreme, artist Natalie Jeremijenko uses L-systems, which are algorithms created in order to mimic the cell growth of a tree. With the L-system technology, you could have your very own forest growing on your computers’ desktop! She has even created a whole art project called ONETREES, and she calls her virtual trees ‘e-trees’, or ‘electronic trees’. Not only that, the e-trees themselves can be manipulated to grow at certain rates when a CO2 reader is plugged into the USB ports of the computer. The virtual trees mimic the cell growth of natural trees, and they also react in a similar way that trees do when they come into contact with atmospheric changes. It is a revolutionary twist of artistic mimesis.

So whether you prefer a forest of trees on your desktop, or a little bonsai tree on top of your desk, there are many different mediums that you can explore in order to experience this new movement of nature mimesis in the 21st Century.

-Anna Paluch

(Source: artandsciencejournal.com)





  Posted on February 21, 2013

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    Now, this is the kind of Bonsai tree I can see myself keeping alive…
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