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Outer-site Art

Tokyo-based artist Makoto Azuma doesn’t appear to believe in doing things by halves. His latest installation looks at the universe, beyond Earth, as a site for appreciating beauty and art. Two pieces, a Japanese white pine bonsai known as the “Shiki 1”, and an untitled arrangement of orchids, hydrangeas, lilies and irises, were launched into the stratosphere last week in the Black Rock Desert, Nevada. This is part of project Exobotanica – Botanical Space Flight (see more pictures here), where Azuma heads a 10 person team, coupled with Sacramento-based JP Aerospace — “America’s Other Space Program”, a volunteer-based organization that constructs and sends vessels into orbit.
Azuma is interested in the beauty of organic movement in plants, and how this beauty would be suspended in space as a weightless environment. The objects themselves – the bonsai plant and the flower arrangement, have an almost uneasy juxtaposition in their nature. On the one hand, they are organic, Earth-bound items that send instant connotations to the viewer about the beauty of our natural world, yet both represent a natural world moulded by human hands – the miniaturised tree and the specifically arranged flowers. In the end, they can almost be seen less as art and more as specific examples of Earthly design; an amalgamation of human and mother nature’s architecture, broadcast to the universe beyond.
But equally as stunning is the documentary imagery itself, taken from orbit and brought back to Earth. Oh to see what those blossoms have seen!
- Alinta Krauth 

For more about Makoto’s work with bonsai, see his work previously featured on Art & Science Journal!
Outer-site Art

Tokyo-based artist Makoto Azuma doesn’t appear to believe in doing things by halves. His latest installation looks at the universe, beyond Earth, as a site for appreciating beauty and art. Two pieces, a Japanese white pine bonsai known as the “Shiki 1”, and an untitled arrangement of orchids, hydrangeas, lilies and irises, were launched into the stratosphere last week in the Black Rock Desert, Nevada. This is part of project Exobotanica – Botanical Space Flight (see more pictures here), where Azuma heads a 10 person team, coupled with Sacramento-based JP Aerospace — “America’s Other Space Program”, a volunteer-based organization that constructs and sends vessels into orbit.
Azuma is interested in the beauty of organic movement in plants, and how this beauty would be suspended in space as a weightless environment. The objects themselves – the bonsai plant and the flower arrangement, have an almost uneasy juxtaposition in their nature. On the one hand, they are organic, Earth-bound items that send instant connotations to the viewer about the beauty of our natural world, yet both represent a natural world moulded by human hands – the miniaturised tree and the specifically arranged flowers. In the end, they can almost be seen less as art and more as specific examples of Earthly design; an amalgamation of human and mother nature’s architecture, broadcast to the universe beyond.
But equally as stunning is the documentary imagery itself, taken from orbit and brought back to Earth. Oh to see what those blossoms have seen!
- Alinta Krauth 

For more about Makoto’s work with bonsai, see his work previously featured on Art & Science Journal!
Outer-site Art

Tokyo-based artist Makoto Azuma doesn’t appear to believe in doing things by halves. His latest installation looks at the universe, beyond Earth, as a site for appreciating beauty and art. Two pieces, a Japanese white pine bonsai known as the “Shiki 1”, and an untitled arrangement of orchids, hydrangeas, lilies and irises, were launched into the stratosphere last week in the Black Rock Desert, Nevada. This is part of project Exobotanica – Botanical Space Flight (see more pictures here), where Azuma heads a 10 person team, coupled with Sacramento-based JP Aerospace — “America’s Other Space Program”, a volunteer-based organization that constructs and sends vessels into orbit.
Azuma is interested in the beauty of organic movement in plants, and how this beauty would be suspended in space as a weightless environment. The objects themselves – the bonsai plant and the flower arrangement, have an almost uneasy juxtaposition in their nature. On the one hand, they are organic, Earth-bound items that send instant connotations to the viewer about the beauty of our natural world, yet both represent a natural world moulded by human hands – the miniaturised tree and the specifically arranged flowers. In the end, they can almost be seen less as art and more as specific examples of Earthly design; an amalgamation of human and mother nature’s architecture, broadcast to the universe beyond.
But equally as stunning is the documentary imagery itself, taken from orbit and brought back to Earth. Oh to see what those blossoms have seen!
- Alinta Krauth 

For more about Makoto’s work with bonsai, see his work previously featured on Art & Science Journal!
Outer-site Art

Tokyo-based artist Makoto Azuma doesn’t appear to believe in doing things by halves. His latest installation looks at the universe, beyond Earth, as a site for appreciating beauty and art. Two pieces, a Japanese white pine bonsai known as the “Shiki 1”, and an untitled arrangement of orchids, hydrangeas, lilies and irises, were launched into the stratosphere last week in the Black Rock Desert, Nevada. This is part of project Exobotanica – Botanical Space Flight (see more pictures here), where Azuma heads a 10 person team, coupled with Sacramento-based JP Aerospace — “America’s Other Space Program”, a volunteer-based organization that constructs and sends vessels into orbit.
Azuma is interested in the beauty of organic movement in plants, and how this beauty would be suspended in space as a weightless environment. The objects themselves – the bonsai plant and the flower arrangement, have an almost uneasy juxtaposition in their nature. On the one hand, they are organic, Earth-bound items that send instant connotations to the viewer about the beauty of our natural world, yet both represent a natural world moulded by human hands – the miniaturised tree and the specifically arranged flowers. In the end, they can almost be seen less as art and more as specific examples of Earthly design; an amalgamation of human and mother nature’s architecture, broadcast to the universe beyond.
But equally as stunning is the documentary imagery itself, taken from orbit and brought back to Earth. Oh to see what those blossoms have seen!
- Alinta Krauth 

For more about Makoto’s work with bonsai, see his work previously featured on Art & Science Journal!
Outer-site Art

Tokyo-based artist Makoto Azuma doesn’t appear to believe in doing things by halves. His latest installation looks at the universe, beyond Earth, as a site for appreciating beauty and art. Two pieces, a Japanese white pine bonsai known as the “Shiki 1”, and an untitled arrangement of orchids, hydrangeas, lilies and irises, were launched into the stratosphere last week in the Black Rock Desert, Nevada. This is part of project Exobotanica – Botanical Space Flight (see more pictures here), where Azuma heads a 10 person team, coupled with Sacramento-based JP Aerospace — “America’s Other Space Program”, a volunteer-based organization that constructs and sends vessels into orbit.
Azuma is interested in the beauty of organic movement in plants, and how this beauty would be suspended in space as a weightless environment. The objects themselves – the bonsai plant and the flower arrangement, have an almost uneasy juxtaposition in their nature. On the one hand, they are organic, Earth-bound items that send instant connotations to the viewer about the beauty of our natural world, yet both represent a natural world moulded by human hands – the miniaturised tree and the specifically arranged flowers. In the end, they can almost be seen less as art and more as specific examples of Earthly design; an amalgamation of human and mother nature’s architecture, broadcast to the universe beyond.
But equally as stunning is the documentary imagery itself, taken from orbit and brought back to Earth. Oh to see what those blossoms have seen!
- Alinta Krauth 

For more about Makoto’s work with bonsai, see his work previously featured on Art & Science Journal!
Outer-site Art

Tokyo-based artist Makoto Azuma doesn’t appear to believe in doing things by halves. His latest installation looks at the universe, beyond Earth, as a site for appreciating beauty and art. Two pieces, a Japanese white pine bonsai known as the “Shiki 1”, and an untitled arrangement of orchids, hydrangeas, lilies and irises, were launched into the stratosphere last week in the Black Rock Desert, Nevada. This is part of project Exobotanica – Botanical Space Flight (see more pictures here), where Azuma heads a 10 person team, coupled with Sacramento-based JP Aerospace — “America’s Other Space Program”, a volunteer-based organization that constructs and sends vessels into orbit.
Azuma is interested in the beauty of organic movement in plants, and how this beauty would be suspended in space as a weightless environment. The objects themselves – the bonsai plant and the flower arrangement, have an almost uneasy juxtaposition in their nature. On the one hand, they are organic, Earth-bound items that send instant connotations to the viewer about the beauty of our natural world, yet both represent a natural world moulded by human hands – the miniaturised tree and the specifically arranged flowers. In the end, they can almost be seen less as art and more as specific examples of Earthly design; an amalgamation of human and mother nature’s architecture, broadcast to the universe beyond.
But equally as stunning is the documentary imagery itself, taken from orbit and brought back to Earth. Oh to see what those blossoms have seen!
- Alinta Krauth 

For more about Makoto’s work with bonsai, see his work previously featured on Art & Science Journal!

Outer-site Art

Tokyo-based artist Makoto Azuma doesn’t appear to believe in doing things by halves. His latest installation looks at the universe, beyond Earth, as a site for appreciating beauty and art. Two pieces, a Japanese white pine bonsai known as the “Shiki 1”, and an untitled arrangement of orchids, hydrangeas, lilies and irises, were launched into the stratosphere last week in the Black Rock Desert, Nevada. This is part of project Exobotanica – Botanical Space Flight (see more pictures here), where Azuma heads a 10 person team, coupled with Sacramento-based JP Aerospace — “America’s Other Space Program”, a volunteer-based organization that constructs and sends vessels into orbit.

Azuma is interested in the beauty of organic movement in plants, and how this beauty would be suspended in space as a weightless environment. The objects themselves – the bonsai plant and the flower arrangement, have an almost uneasy juxtaposition in their nature. On the one hand, they are organic, Earth-bound items that send instant connotations to the viewer about the beauty of our natural world, yet both represent a natural world moulded by human hands – the miniaturised tree and the specifically arranged flowers. In the end, they can almost be seen less as art and more as specific examples of Earthly design; an amalgamation of human and mother nature’s architecture, broadcast to the universe beyond.

But equally as stunning is the documentary imagery itself, taken from orbit and brought back to Earth. Oh to see what those blossoms have seen!

- Alinta Krauth 

For more about Makoto’s work with bonsai, see his work previously featured on Art & Science Journal!

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/ exobotanica azuma makoto jp aerospace shiki 1 art and science art and science journal space botanical botany alinta krauth

Azuma Makoto: Water and Bonsai

As an artform that can be traced back over two thousand years in Japanese history, the cultivation of the bonsai follows many horticultural and aesthetic properties that are said to evoke unique responses from different viewers. Traditionally grown small enough to fit inside a small pot, the bonsai generally symbolizes “the aesthetic qualities found in nature through balance, simplicity, and harmony,” with balance being a key element of the bonsai’s aesthetic qualities. 

In this installation, Water and Bonsai, self-proclaimed “botanical artist” Azuma Makoto submerges what appears to be a small bonsai tree in an aquarium filled with water. Upon further inspection, however, we learn that this bonsai is actually a piece of deadwood adorned with moss. The moss is kept alive with the aid of a filtration system and LED lights. 

As Makoto describes the work, 

Bonsai transforms its shape through [the] ages [and] now finds a life in water and continues to be alive. We can, continuously, admire its new appearance with plants from land and water within clear water.”

In this sense, Water and Bonsai seeks to redefine the tradition of the bonsai by exposing it to a new natural element: the water. The bonsai’s shifting appearance in the water further demonstrates its ability to achieve aesthetic balance and harmony by being “one with the water.” As a result, Makoto exposes us to a sort of miniaturized botanical ecosystem that showcases the beauty and complexity of the plant world. 

Azuma Makoto’s practice as a botanical artist involves the staging and creation of “botanical sculptures” and large scale art installations. For more information about Makoto’s other projects, visit his website here

Victoria Nolte

(Source: artandsciencejournal.com)

artscienceartsciencebonsaibotanical installationwaterbotanyazuma makotovictoria nolte

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