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Takanori Aiba Aiba, a former maze illustrator, founded his own company in 1981 and expanded his practice as an “art director for architectural spaces.” In this new role, Aiba showcases his knowledge of maze illustration and architecture by creating intricately detailed, miniature, worlds wrapped around bonsai trees, lighthouses, cliffs, and constructed on vertical islands. His works explore our involvement with the environment and his use of the bonsai recalls the Japanese tradition of the bonsai as a work of art. Expressing “the magnificence of nature,” Aiba’s inclusion of the bonsai in this series is seen as almost an act of updating history as various narratives can be drawn from each individual detail in his works.  In addition, Aiba uses a variety of materials to craft these installations, including craft paper, plastic, plaster, and paint.  For more information about Aiba’s work, please visit his website.  - Victoria Nolte
Takanori Aiba Aiba, a former maze illustrator, founded his own company in 1981 and expanded his practice as an “art director for architectural spaces.” In this new role, Aiba showcases his knowledge of maze illustration and architecture by creating intricately detailed, miniature, worlds wrapped around bonsai trees, lighthouses, cliffs, and constructed on vertical islands. His works explore our involvement with the environment and his use of the bonsai recalls the Japanese tradition of the bonsai as a work of art. Expressing “the magnificence of nature,” Aiba’s inclusion of the bonsai in this series is seen as almost an act of updating history as various narratives can be drawn from each individual detail in his works.  In addition, Aiba uses a variety of materials to craft these installations, including craft paper, plastic, plaster, and paint.  For more information about Aiba’s work, please visit his website.  - Victoria Nolte
Takanori Aiba Aiba, a former maze illustrator, founded his own company in 1981 and expanded his practice as an “art director for architectural spaces.” In this new role, Aiba showcases his knowledge of maze illustration and architecture by creating intricately detailed, miniature, worlds wrapped around bonsai trees, lighthouses, cliffs, and constructed on vertical islands. His works explore our involvement with the environment and his use of the bonsai recalls the Japanese tradition of the bonsai as a work of art. Expressing “the magnificence of nature,” Aiba’s inclusion of the bonsai in this series is seen as almost an act of updating history as various narratives can be drawn from each individual detail in his works.  In addition, Aiba uses a variety of materials to craft these installations, including craft paper, plastic, plaster, and paint.  For more information about Aiba’s work, please visit his website.  - Victoria Nolte
Takanori Aiba Aiba, a former maze illustrator, founded his own company in 1981 and expanded his practice as an “art director for architectural spaces.” In this new role, Aiba showcases his knowledge of maze illustration and architecture by creating intricately detailed, miniature, worlds wrapped around bonsai trees, lighthouses, cliffs, and constructed on vertical islands. His works explore our involvement with the environment and his use of the bonsai recalls the Japanese tradition of the bonsai as a work of art. Expressing “the magnificence of nature,” Aiba’s inclusion of the bonsai in this series is seen as almost an act of updating history as various narratives can be drawn from each individual detail in his works.  In addition, Aiba uses a variety of materials to craft these installations, including craft paper, plastic, plaster, and paint.  For more information about Aiba’s work, please visit his website.  - Victoria Nolte

Takanori Aiba

Aiba, a former maze illustrator, founded his own company in 1981 and expanded his practice as an “art director for architectural spaces.” In this new role, Aiba showcases his knowledge of maze illustration and architecture by creating intricately detailed, miniature, worlds wrapped around bonsai trees, lighthouses, cliffs, and constructed on vertical islands. His works explore our involvement with the environment and his use of the bonsai recalls the Japanese tradition of the bonsai as a work of art. Expressing “the magnificence of nature,” Aiba’s inclusion of the bonsai in this series is seen as almost an act of updating history as various narratives can be drawn from each individual detail in his works. 

In addition, Aiba uses a variety of materials to craft these installations, including craft paper, plastic, plaster, and paint. 

For more information about Aiba’s work, please visit his website. 

- Victoria Nolte

(Source: artandsciencejournal.com)

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